Related Paintings of unknow artist :. | Jupiter and antiope | Scenes of Country Life | Adoration of the Magi | Arab or Arabic people and life. Orientalism oil paintings 12 | Sexy body, female nudes, classical nudes 58 |
Related Artists:
Jakob Mertens
Jakob Merten (August 11, 1809 - February 22, 1872) was a German Catholic theologian who was born in Wittlich. He studied theology in Trier, where in 1833 he received his ordination. Subsequently he became a chaplain in Trier, where he worked closely with Franz Peter Knoodt (1811-1889). From 1843 to 1868 he was a professor of philosophy at the Episcopal Seminary in Trier. Initially a prominent follower of Anton Genther's philosophy, Merten eventually abandoned Gentherianism as his career progressed. He was author of an essay on Gentherian philosophy titled Hauptfragen der Metaphysik in Verbindung mit der Speculation (Primary Questions of Metaphysics in Association with Speculation) (1840). Other noted works by Merten include: Grundriss der Metaphysik, (Outline of Metaphysics); 1848 Der selige Frings und sein Freund als Antigentherianer; 1852 Bemerkungen zur Metaphysik von Balmes, (Remarks on the Metaphysics of Balmes); 1859
Artur Grottger
(1837 - 1867) was a Polish painter and graphic designer, one of the most prominent artists of the early 1800s despite his brief life. He was born in Eastern Galicia to an amateur artist of German background, Jan Jozef Grottger, and a Polish mother. Grottger studied painting under the apprenticeships of Jan Kanty Maszkowski and Juliusz Kossak in Lwew. Grottger received an imperial scholarship to attend the Krakow School of Fine Arts, where he studied under Władysław Łuszczkiewicz and Wojciech Kornel Stattler. Around this time he met one of his biggest future art patrons and benefactors, Aleksander Pappenheim. Grottger painted mostly epic battle scenes. He moved to Vienna in 1854, where he produced some of his most famous paintings. In 1865, Grottger returned to Poland and stayed in Krakew and Lwew, but left this time for good in 1866.
Dirck Bouts
Haarlem ca 1420-Louvain 1475 was an Early Netherlandish painter. According to Karel van Mander in his Het Schilderboeck of 1604, Bouts was born in Haarlem and was mainly active in Leuven (Louvain), where he was city painter from 1468. Van Mander confused the issue by writing biographies of both "Dieric of Haarlem" and "Dieric of Leuven," although he was referring to the same artist. The similarity of their last names also led to the confusion of Bouts with Hubrecht Stuerbout, a prominent sculptor in Leuven. Very little is actually known about Bouts' early life, but he was greatly influenced by Jan van Eyck and by Rogier van der Weyden, under whom he may have studied. He is first documented in Leuven in 1457 and worked there until his death in 1475. Bouts was among the first northern painters to demonstrate the use of a single vanishing point